A modular representation of core typographic elements, spheres, rectangles and squares, utilising a quote by medieval semiotician Robert Grosseteste, who maintained the instant of the origin of the universe held provenance in that light is the first corporeal form.

B&W
A1 Poster
594mm × 841mm
Uncoated
200gsm

An attempt to capture the momentary nature of a soft urban water feature, and to instead cast its ornateness as a toxic plume. Implied in such a macro depiction is a conversant implication of a living organism and how a subject is literally larger than life size, while metaphorically being distant in its intended scale.

CMYK
A2 giclee print
420mm × 594mm
Uncoated
200gsm

Macro depiction of an indicator light, which exposes the composite aspects of acrylic plastic. The image likewise, a mere secretion of floating pixels.

CMYK
A2 giclee print
420mm × 594mm
Uncoated
200gsm

Collation of spheric, circular and orbulus forms, in sequence, as an emblem for squaring the circle — a form of binary communication which highlights the role of OCR software, bringing into question the purpose of digital images and machine-readable, searchable, retrievable, and editable data.

CMYK
A2 giclee print
420mm × 594mm
Uncoated
200gsm

Line painters apply surface markings to communicate information on roads for pedestrians and drivers. Non-mechanical line painters mark out a horizontal and vertical grid with rope dipped into a white chalk. Painted onto the road using a steel jug and a 'painting stick', a tool which has an angled gauzed end-point, is equivalent to a large piece of steel section and functions like the tip of a pen.

CMYK
A2 giclee print
594mm × 420mm
Uncoated
200gsm

Composite of found materials (metals and plastics) reformed as a child's game or monolithic structure and photographed from a perpendicular perspective.*

*Part of a broader visual research entitled 'Under the Sign', which underscores the immobile to mobile connections between image, object and text.

CMYK
A2 giclee print
420mm × 594mm
Uncoated
200gsm

Composite of found materials (metals and plastics) reformed into an assemblage resembling a figurative subject without specific provenance or contours and photographed from a perpendicular perspective.*

*Part of a broader visual research entitled 'Under the Sign', which underscores the immobile to mobile connections between image, object and text.

CMYK
A2 giclee print
420mm × 594mm
Uncoated
200gsm

Instruction for writing an A–Z and the movements implied from hand to pen and paper, and based on teaching children the process of writing independent figures of the alphabet.

B&W
A1 Poster
420mm × 594mm
Uncoated Yellow Stock
120gsm

Statement sentence, repeated, analogous to the labour of language production, and aligned to the inherent association between the visual two dimensional space of the page, and the layered conjunction or leap to the physical world, and how the mind of a body reimagines where it finds itself.

Text by: Kurt Schwitters, who was famed for an engagement in 'Merz' — his own artistic identity.

CMYK
A1 Poster
594mm × 841mm
Coated
120gsm