Seeing What Is Seen As What Sees Can Not Be Saw

Composite of found materials (metals and plastics) reformed into an assemblage resembling a figurative subject without specific provenance or contours and photographed from a perpendicular perspective.*

*Part of a broader visual research entitled 'Under the Sign', which underscores the immobile to mobile connections between image, object and text.

A2 giclee print
420mm × 594mm