Seeing What Is Seen
As What Sees Can Not Be Saw

An ongoing photographically founded project, which converts itself into an 'abstract stop-motion documentary' by being post-produced and sequenced through a variety of frame rates depending on its displayed context.

Primarily concerned with the limitation provided by walking and the role observation plays in understanding how semiotic and syntactic systems indeterminately develop (as part of the private experience of narrative within public space), the process, as well as the facility of its presentation, counter-punctuates how both image and language are rendered almost obsolete in tracking due to information and technologic dispersion and renewal.

27th Brno Biennale
Moravian Gallery, Brno, CZ
29 September – 2 October, 2016

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