The Tone Is Theirs The Tone Is Theirs The Tone Is Theirs The Tone Is Theirs
The Tone Is Theirs The Tone Is Theirs The Tone Is Theirs
The Tone Is Theirs The Tone Is Theirs The Tone Is Theirs The Tone Is Theirs
The Tone Is Theirs The Tone Is Theirs The Tone Is Theirs
The Tone Is Theirs

Image orientated type specimen representing a wider engagement into 'alphabetical pareidolia', and how humans see letters of the alphabet in architectonic elements of the perceivable world around them.

Printed in grey, the context of each letter being found is formally made consequent through perpendicular framing, amalgamating how tesselational structures co-exist alongside our visual perception for what is constituted through methods we associate between both reading and writing.

As an example: close inspection of erosion of solid materials reveals an almost humanistic trait, which is similiar to our hands own surface anatomy.

Printing: Risography — 16pp, 210 mm × 297 mm, 2015.
Printed at: University of East London.

Presented at: Offprint, Tate Modern. London, UK, May, 2015.

Purchase from: Lugemik, Tallinn, Estonia.

With thanks to: Stephen Barrett and Andrew Osman.